X. PRIVATE EPISODES: THE PROBLEM

45. Let us now return, after a long absence, to the problem of how the similarity among the experiences of seeing that an object over there is red, its looking to one that an object over there is red (when in point of fact it is not red) and its looking to one as though there were a red object over there (when in fact there is nothing over there at all) is to be understood. Part of this similarity, we saw, consists in the fact that they all involve the idea -- the proposition, if you please -- that the object over there is red. But over and above this there is, of course, the aspect which many philosophers have attempted to clarify by the notion of impressions or immediate experience.

    It was pointed out in Sections 21 ff. above that there are prima facie two ways in which facts of the form x merely looks red might be explained, in addition to the kind of explanation which is based on empirical generalizations relating the color of objects, the circumstances in which they are seen, and the colors they look to have. These two ways are (a) the introduction of impressions or immediate experiences as theoretical entities; and (b) the discovery, on scrutinizing these situations, that they contain impressions or immediate experiences as components. I called attention to the paradoxical character of the first of these alternatives, and refused, at that time, to take it seriously. But in the meantime the second alternative, involving as it does the Myth of the Given, has turned out to be no more satisfactory.

    For, in the first place, how are these impressions to be described, if not by using such words as "red" and "triangular." Yet, if my argument, to date, is sound, physical objects alone can be literally red and triangular. Thus, in the cases I am considering, there is nothing to be red and triangular. It would seem to follow that "impression of a red triangle" could mean nothing more than "impression of the sort which is common to those experiences in which we either see that something is red and triangular, or something merely looks red and triangular, or there merely looks to be a red and triangular object over there." And if we can never characterize "impressions" intrinsically, but only by what is logically a definite description, i.e., as the kind of entity which is common to such situations, then we would scarcely seem to be any better off than if we maintained that talk about "impressions" is a notational convenience, a code, for the language in which we speak of how things look and what there looks to be.

    And this line of thought is reinforced by the consideration that once we give up the idea that we begin our sojourn in this world with any -- even a vague, fragmentary, and undiscriminating -- awareness of the logical space of particulars, kinds, facts, and resemblances, and recognize that even such "simple" concepts as those of colors are the fruit of a long process of publicly reinforced responses to public objects (including verbal performances) in public situations, we may well be puzzled as to how, even if there are such things as impressions or sensations, we could come to know that there are, and to know what sort of thing they are. For we now recognize that instead of coming to have a concept of something because we have noticed that sort of thing, to have the ability to notice a sort of thing is already to have the concept of that sort of thing, and cannot account for it.

    Indeed, once we think this line of reasoning through, we are struck by the fact that if it is sound, we are faced not only with the question "How could we come to have the idea of an 'impression' or 'sensation?'" but by the question "How could we come to have the idea of something's looking red to us," or, to get to the crux of the matter, "of seeing that something is red?" In short, we are brought face to face with the general problem of understanding how there can be inner episodes -- episodes, that is, which somehow combine privacy, in that each of us has privileged access to his own, with intersubjectivity, in that each of us can, in principle, know about the other's. We might try to put this more linguistically as the problem of how there can be a sentence (e.g. "S has a toothache") of which it is logically true that whereas anybody can use it to state a fact, only one person, namely S himself, can use it to make a report. But while this is a useful formulation, it does not do justice to the supposedly episodic character of the items in question. And that this is the heart of the puzzle is shown by the fact that many philosophers who would not deny that there are short-term hypothetical and mongrel hypothetical-categorical facts about behavior which others can ascribe to us on behavioral evidence, but which only we can report, have found it to be logical nonsense to speak of non-behavioral episodes of which this is true. Thus, it has been claimed by Ryle{14} that the very idea that there are such episodes is a category mistake, while others have argued that though there are such episodes, they cannot be characterized in intersubjective discourse, learned as it is in a context of public objects and in the 'academy' of one's linguistic peers. It is my purpose to argue that both these contentions are quite mistaken, and that not only are inner episodes not category mistakes, they are quite "effable" in intersubjective discourse. And it is my purpose to show, positively, how this can be the case. I am particularly concerned to make this point in connection with such inner episodes as sensations and feelings, in short, with what has -- unfortunately, I think -- been called immediate experience." For such an account is necessary to round off this examination of the Myth of the Given. But before I can come to grips with these topics, the way must be prepared by a discussion of inner episodes of quite another kind, namely thoughts.


[Next]